Guide series ยท Hoes & HiFi
Care & maintenance
Guides to looking after records, CDs and your listening spot simply and carefully.
5 guides
Small routines that give music room
In this series
All guides on care and maintenance
Every guide starts from a concrete choice for your collection, room or listening moment.
Start here / Care & maintenance
01Cleaning records: how to do it safely
How to clean a vinyl record: dry before every play, wet when a record asks for it, and a list of things you never use. Fewer clicks and less dust without a laboratory.
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02Storing records: a storage system of cabinet, size and order
Record storage without a warehouse: which cabinet, how many records fit in a compartment, a storage system you keep up, where not to put it and which sleeves help.
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03Organising a record collection: your first hundred records
Alphabetical, chronological, by genre or by how often you play it: the system matters less than the edge cases you decide beforehand and whether you keep it up.
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04Replacing a stylus: when, how and what it costs
Hours on the packaging say little. This is how to hear and see whether a stylus is really worn, how to change it yourself, and why waiting too long costs you records rather than a stylus.
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05Buying a record cabinet: which one suits you
Cube shelf, sideboard, crate or a cabinet made for records: what each type costs, how much it holds and where it goes wrong.
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How records and stylus last for years
A record wears a little with every play, and how fast depends mainly on two things: how clean the groove is and how good the stylus still is. Treated well, a record from 1970 still plays today. This series is about the small routines that make that happen, and about where your records live when they are not playing.
Cleaning is the routine with the most effect. A dry brush before each side is enough for most records; a wet clean is for second-hand finds and for records that still crackle after brushing. What you never use, such as tap water and washing-up liquid, is in the guide on cleaning records.
The stylus is the part that wears most quietly. The hours on the packaging are an average, not a prediction, and a worn stylus damages every record you play after it. How to hear and see that it is finished, and how to change it yourself, is in the guide on replacing the stylus.
Then storage. Records stand upright, not too tight, out of the sun, in a cabinet at least 33 centimetres deep. Which cabinets work, from cube shelf to sideboard, and what each type costs, is compared in the guide on buying a record cabinet. The guide on storing records covers inner sleeves, singles and box sets, and what to do when the cabinet is full. If you have a hundred records and can no longer find anything, start with the guide on organising your collection.
None of these routines needs a laboratory or an expensive kit. Most of it costs less than a new record, and the first euros are best spent on the records already on the shelf: new inner sleeves and a brush.
Frequently asked questions
When should you replace a turntable stylus?
Manufacturers usually quote 500 to 1000 hours, but that is an average for a use that is probably not yours. Better to watch for what you hear and see: distortion on loud passages and at the end of a side, hissing s-sounds, or a tip that looks worn or damaged under a magnifier.
How do you clean a record without damaging it?
Brush it dry before each side. If that is not enough, use a fluid made for records or demineralised water, never tap water, washing-up liquid or glass cleaner, and let the record dry completely before it goes back in the sleeve.
How many records fit in a cube shelf?
A four-compartment cube shelf holds about two hundred records. Allow over twenty kilos per hundred records, and fix a tall cabinet to the wall. A compartment should be full enough to keep the records upright, but not so full that you have to prise one out.
How deep does a record cabinet need to be?
At least 33 centimetres. An LP sleeve is over 31 centimetres, and in a shallower cabinet the sleeves stick out, so it is exactly the edges that get damaged.
Listen without hurry
A good choice usually starts small.
Choose one guide that suits your next listening moment. You can always build on it afterwards.